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| CATEGORY: | Video |
| DIRECTOR: | Arturo Ripstein |
| THEATRICAL RELEASE DATE: | 08 October, 1997 |
| MANUFACTURER: | New Yorker Films |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, NTSC |
| TYPE: | Foreign Film - Spanish/Misc Sa |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 717119631932 |
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Customer Reviews of Deep Crimson
Merciless And Brilliant. "Deep Crimson" is a merciless movie that dwelves into human depravity and murder. It's directed by Arturo Ripstein, Mexico's most respected director who used to work under the wing of Luis Bunuel. In fact, there is a lot of Bunuel style in "Deep Crimson," a movie that shocks not only in violence, but in the entire story and character structure. In it's own way it's visceral and the performances are always chillingly convincing. Ripstein and his writer, Paz Alicia Garciadiego are not afraid to offend the audience and don't hold back, looking at reality unblinkingly. The photography is really rich, gritty and artistic. "Deep Crimson" can be seen as a study of human perversion mingled with lust and depravity. These are characters down on the evolutionary scale who resort to murder for petty reasons, and the way the murders are carried out and the way these characters act and the way Ripstein films it with such realism, is what makes the film effective and disturbing. "Deep Crimson" shows how sometimes American cinema can be really tame, Ripstein obviously isn't and shows his brilliance for realistic and effective cinema here. Obviously he learned well from Luis Bunuel, whom "Deep Crimson" would make proud.
Much ado about nothing much
The way Roger Ebert and TIME magazine described this movie made me buy it and see it. I was expecting a gruesome masterpiece, something like Buñuel's "Los Olvidados" or any film by Bigas Lunas. Certainly, Arturo Ripstein directing is always a good omen, but... alas, it was not to be!
Sure, the story is quite disturbing, but not as shocking as you'd think. Daniel Giménez Cacho and Regina Orozco are O.K. but not in their roles of a lifetime. The girl playing the last victim makes the best performance of them all, and Almodóvar's favorite Marisa Paredes is thoroughly wasted in the most dreadful acting I've ever seen. Too bad, really, but worth watching once.
Remember, it ain't over 'til the fat lady... sinks!